Sunday, September 2, 2012
Is Invisible Man like Shakespeare?
Looking back on the opening few chapters of Invisible Man I now see a similarity to Shakespeare's works. Since Elizabethan times, most works of fiction don't include a prologue that explains the plot of the work. In the prologue of Invisible Man, Ralph Ellison doesn't exactly explain what happens to the narrator, in fact he never even tells us the narrator's name. But, the images and descriptions found in the prologue stuck in my mind as I was reading the first few chapters, and I imagine will continue to until I finish the book. In this essence I find it similar to Shakespeare. His prologues also stick in a reader's mind (or listener), and serve as a kind of foreshadowing for the rest of the work. Though Shakespeare didn't write the protagonist of his play as the speaker of the prologue, while Ellison did, they both serve to create a frame narrative, a story within a story. In a Shakespearean play, the prologue usually serves as a warning to the audience of what happens to the characters, with the chorus knowing are characters. Likewise, the speaker of the prologue knows that the subsequent people are characters, understandably so because he is the author of the inner story. I'm not sure yet if the narrator is cautioning the reader about the experience of the character in his book, but I bet by the end of the book it will be clear whether he was cautioning us or not; who knows, maybe the similarities to Shakespeare will grow.
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What an interesting comparison. You're right that Ellison's prologue is a good deal more cryptic and mysterious than Shakespeare's, but you're suggesting some ways that it functions in basically the same way. There's a mystery established--how did he GET here, and why? But also a less plot-based one: is it a GOOD thing? Does his underground, well-lit hideout signify enlightenment? Or is this a failure of the worst sort, a dropping-out of society, a loss of sanity and of any significant social standing. Does the ironic prankster in the prologue seem *better off* than the narrator we meet early in the novel? We get the ending at the beginning, but is it a *happy* one? It's hard to tell . . .
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